Our family went to the beach back in May and we had so much fun! Of course, it was all new for my little guy. He loved sitting on the wet sand and running his fingers through it. That is, until the wave came and got him wet up to his waist. Then he was done! Thankfully, my sister got a number of photos of him first. I decided this would be my first painting of him. I'm sure there will be many more in the years to come. But this was a fun first.
When starting out with most of my watercolor paintings, especially portraits, I pencil in the most important details. Here I make sure that proportion and shape are right. In this process I have both my pencil and my trusty eraser working overtime until the outlines are just the way I want them. A lot of watercolor artists don't like their pencil showing through their paint. To me it adds an interesting dimension. So I keep it.
After your initial sketch, you want to identify the parts of your painting that will remain white. Those are the areas I avoid before adding my first layers of paint (see next step). Masking fluid can also be applied at this point to help you avoid those areas a little better.
One thing I never realized before working in watercolor is that there can be many layers of paint in each painting. Layers? I thought that was only in oil or acrylic. In watercolor, the appropriate term (I think) is "glaze." There are many glazes you add to each painting. As a graphic designer for so many years using photoshop, I think in layers. So that's the term I use.
I start with the medium to light color washed over each area. Let the area dry, and then keep adding more and more layers. I work from the lightest color washes to the darker details.
Here I'm getting into the nitty gritty of the shadow's in my little guy's face. I probably could have used a smaller brush at this point. But I find myself so engrossed in what I'm doing at times that I don't stop to switch brushes!
I keep adding more washes of varying shades of blue until the sand he's sitting on looks truly wet. An important part in this particular painting that I had to watch out for was all those blues and golds. We all know that yellow and blue make green. So it's important for me not to get ahead of myself and add the opposing color while the previous one is still wet. If I hurry it, the next thing you know the wet sand will be a color that I wouldn't want my kid sitting on. :)
Every painting of mine gets to that point where I think I could maybe possibly add just one more detail. But when I know I'm close to finishing, I'll walk away for an hour, sometimes a day. If I come back to it and like it, then I sign it. Once I sign it, I'm done.... no touching up any more once that signature is on the painting. This painting was fully dry when I came back to it, so I pulled out my mat cutter and framed it. Why waste time? I hung it on the wall in time for when my husband got home from work.
Now on to Christmas card paintings. Yes, Christmas. I know it's July. One has to plan ahead around here.
Recently I had the privilege of designing a book cover for the up-and-coming author, Christina Daley, for her new book Seranfyll. The style is quite a bit different than my normal watercolors, but it was a fun challenge.
What a great gift for that girly friend who is so good at sending handwritten notes.
Here I'm getting into the nitty gritty of the shadow's in my little guy's face. I probably could have used a smaller brush at this point. But I find myself so engrossed in what I'm doing at times that I don't stop to switch brushes!
I just keep painting! Here's my latest ACEO miniature painting. I love the challenge of giving the impression of detail on something so small. What should I paint next? Oh, maybe I should sleep some tonight. :)
